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A Few of My Favorite Things

September 14, 2017

As you probably already know, this is one of my favorite things ever:

My order this time was for eight boxes. If you zoom in, you can see a slightly textural application of gesso. I can’t wait to see what happens with each one of them. They each progress in their own individual ways. Now that I have a new gallery, I want to stay ahead of demand. It’s not the best situation to have to create on a deadline.

Another one of my favorite things — My gelli plate — is visible on the table in the background, as is a little stack of papers for depositing excess paint from rollers and brushes. Those eventually become collage papers. I sometimes use the gelli plate just as a surface for rolling out color onto a brayer and then onto a painting. And sometimes is use it as a big stamp. The picture below is of a big sheet of paper onto which I stamped many different impressions from the gelli plate. It was kind of fun, but has long since been cut up and used as collage papers.

36 x 60″ sheet of paper

Here are three new boxes I finished 2 weeks ago. All are 8×8 inches, like the ones in the picture.

Elements 19, acrylic on cradled panel, 8x8x2 inches

Elements 20, acrylic on cradled panel, 8x8x2 inches

Elements 21, acrylic on cradled panel, 8x8x2 inches

I’ll update you when the rest of the fun begins.

 

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Busy August

August 28, 2017

Isn’t August supposed to be a slow, lazy month? Nothing slow or lazy about August here. A busy studio, lots of time working on and tweaking my website, attending a three-day painting workshop, becoming a new artist in a beautiful gallery, two sets of house guests in the span of a week, and rehearsing with the church choir over a period of weeks, culminating in a combined 6-choir performance yesterday, after an all-day final rehearsal on Saturday. The music was spectacular with around 100 blended voices, and so much fun preparing for, that I didn’t want it to end.

I will begin with the painting workshop with David M. Kessler at the Kennedy-Douglass Center for the Arts. Lots of great brushing up (pun intended) on color, value, and composition, as well as some new things to think about regarding paint mixing and application. The experience of working with a roomful of other artists is always a treat as well. Here are some highlights.

One of my experiments, Day Two, I think

 

This building at the Arts Center is a beautiful and spacious old home. The workshop took up three adjoining rooms.

 

My new friend Glenda Sartain working on a few value studies

 

This is another one of my color experiments, Day Two

 

Our instructor, David M. Kessler – We told him he should get a high-resolution image of that apron and get it printed onto more aprons and sell them. (by the way, on the wall behind David’s painting is one of my paintings from the Center’s permanent collection. A nice surprise.)

Working and collaborating — another of my paintings on the wall!

We had every level of artist experience in the workshop. But somehow, when in the midst of a workshop or class, trying to absorb the concepts being focused on, everybody tends to feel like a beginner. They are a great equalizer.

I am eternally grateful to Glenda Sartain for telling me about Kathleen’s Fine Art and Interiors, the gallery where her art is sold. She urged me to contact the gallery. Because of all the things I’d been juggling since the workshop, I had procrastinated, and she ended up calling me. As a result, I got hold of the gallery, made an appointment, and took some paintings over there, which they immediately took on consignment. They were delightful, and I know I’m going to enjoy my association with them.

I hope you’re planning an artful week. If so, tell me about it in the comments. It’s good to touch base with you all.

A Most Excellent Adventure

July 26, 2017

Wow — so that happened. I went to Alaska and attended my grandson’s beach wedding. For an old girl with a bum knee, this was quite physically challenging. No, not hiking in the wilderness. Just staying in a 2nd floor walkup motel and walking daily with family to downtown shops, attractions, and restaurants, and then the slog back up those steps at the end of every day. Or twice some days.

But in spite of the challenges, the experience was just unspeakably beautiful and awe-inspiring. The wedding party and a larger group of family and friends stayed at a church camp and lodge outside of town, and those of us who stayed in town spent a lot of time out there, where all the celebrations were happening. This was about a 30-mile wilderness drive, along which you could see literal flocks of bald eagles waiting for salmon to come in with the rising tide, and the occasional bear along the road. I had some trepidation about visiting the bathrooms along the wooded path, imagining bears behind every tree. I sang and talked loudly to myself, which I am sure was enough to scare any bears away.

The little town of Juneau is glorious, even right in the middle of town, as it is surrounded by beautiful snow-capped mountains. We spent a day whale watching, and my best photos were from the boat.

Here is the most important part — the wedding.

It was cloudy and chilly, but the rain had stopped. The beach where they are standing is always muddy, because of the receding tide. I love that some of the bridesmaids wore rain boots. My son officiated — partially hidden in this picture.

Here is flower girl Laurel, in her red raincoat and boots. To the left is my great-granddaughter Alexa, another flower girl. There were three. Here’s Lexi:

My 8-year-old granddaughter Piper was in charge of getting the flower girls to walk in the general direction of the wedding party, with varying degrees of success.

 

So many pictures, so little time to share them all! Here is my favorite one from the whale watching trip. These are two of my grandchildren on the boat.

I loved meeting so many new friends and members of the bride’s family. Just a wonderful group of people.

The rest of my Juneau pictures are in my flickr album here.

If you look closely at the water in some of them, you might see a humpback whale just breaking the surface. I wasn’t lucky enough to get more than that.

So all in all, it was an excellent adventure.

Art next time, I promise.

 

Off On An Adventure

June 20, 2017

Just a quick post to say goodbye for a week. I’m headed for Alaska early tomorrow morning for my grandson’s wedding. I’ve never been there, but he and his fiance met in Juneau six years ago while working on a project together, and they’ve never left (except for some pretty exciting trips here and there.) So if I had an actual bucket list, this trip would be on it. I’m excited, needless to say.

I’ve stolen one of their pictures just so you can see what it looks like in their everyday surroundings. This one is at Mendenhall Glacier.

I promise to take some pictures to share as well.

My wedding present to them was this painting, which I shipped a couple of months ago. Title: Not Just White Noise, Acrylic on Canvas, 24 x 48 inches.

See you in a week!

The Gift of Time

June 17, 2017

For years on end I commuted to work five days a week, and had to find time to fit my art somewhere into the rest of an exhausting schedule. Even so, I was determined, because art was my saving grace. I kept everything out and ready to go at a moment’s notice, after dinner and for longer stretches on the weekends. I recognized art making as my go-to anti-depressant. It still is.

My studio was my air-conditioned garage, just off the kitchen and the heart of the house. I was never far away if someone needed me. I learned to work with interruptions. Multiple small-scale textural paintings were perfect for that way of working, because they each required their own time to dry, sometimes a couple of days.

After retiring from my day job, and having successfully launched the last of the grown kids out into the world, I developed a strong aversion to any kind of time commitments that might take me away from the studio. At the same time, I worked hard on making art my life’s work and my business. On most days, showing up for work no longer had a dress code, or certain hours. Occasional appointments, short-term teaching gigs, show openings, and sporadic meetings (preferably with artists) were OK, but having to be somewhere the same days every week? Been there, done that.

In recent years I’ve managed to have a little vegetable garden, just because it was a long-cherished dream and a strong family tradition. It brought us great joy and some fine meals.

But since my husband died almost a year ago, I have decided that I want to concentrate on my art now. I’ve ripped out my raised beds, and raked the soil into the grass. I thought it was going to be a difficult decision, but it really wasn’t. It’s a relief, and feels like a gift of time.

I’ve achieved the isolation I always dreamed about, but without any kind of structure to nudge me into action. It’s an adjustment. But the flexibility to start a project and keep at it until exciting things start to happen is an opportunity to stretch and grow as an artist. I hope I am up to the challenge.

Never Forget – Collage, 4×4 inches